2024 Performance
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long-durational performance, social surveillance, invisible power structure
2024 Performance
But when all is prayed to the divine, where are the humans placed?
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Poe divination, faith, personal destiny
2024 Performance Series
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feminism, the three-child policy, reproductive rights
2024 Interactive Installation
Co-author: Lerion WU
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turnstile, social surveillance, individual identity dissolution
2024 Image Interactive Installation
Co-author: Lerion WU
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moving images, sensory boundary, the “Fourth Wall”
2022 Interactive Installation,Performance
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Alzheimer's Disease, continuity of memory, ritual of memory
2022 Kinetic Sculpture
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feminism, public opinion, online society reflection
2023 AIGC、Newspaper Design
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AIGC, authorities' control, news media
姜燁,2002年出生於湖南,現居深圳。以行爲藝術、影像與交互裝置爲主要創作媒介,她的作品聚焦於個體在製度結構之下的具身感受。通過構建肉身與交互繫統的動態關繫,她試圖將權力運作機製顯化於群體的共振場域之中。
JIANG Ye Jenny (b. 2002, Hunan Province, China) lives in Shenzhen. She works mainly in the mediums of performance art, video art and interactive installation, and her practice focuses on the embodied sensations under the institutional frameworks. By constructing the dynamic relationship between flesh and the interactive system, she tries to materialize the invisible mechanics of power in the resonance field of the group.
INSIDE, ISOLART GALLERY, Florence, Italy, 2024
Asia Design Week, Hebei, China, 2024
Weaving Spot, CityU CMC, HongKong, 2024
Fragile; The New Order Exhibition, Cang Art Museum, Zhejiang, China 2022
R.A.W, San Shang Art Contemporary, Zhejiang, China 2022